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Join The Fun And Win Big At Royal Panda’s Online Casino – Deconstructor of Fun breaks down successful free-to-play games in search of what makes them fun – or not. All contributors to this site are both gamers and game developers.

Earlier this year, Turkish mobile startup Dream Games raised $50 million in new funding ($57.5 million in total funding), despite only releasing its first game, Royal Match. Dream Games was founded by one of the top former product directors. The latest round of funding was led by Index Ventures, a high-risk firm known for investing in some of the biggest companies in the gaming industry: King, Roblox and Supercell. The round also contributed to two top-tier funds; Balderton Capital and Makers Fund

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Dream Games (which hires…) is now responsible for setting the record for the largest Series A round raised by a Turkish company. Thus, the complete breakdown of the newly released game is guaranteed. Especially since the game is trying to dominate the puzzle genre, which is the biggest and probably the most competitive genre in mobile gaming.

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Royal Match is a great example of finding success through improvement – ​​not incremental innovation – by choosing the strongest mechanics from the best games to create a new top game. Start with the speed, fluidity and palette of Toon Blast, mix in the variety of levels, power-ups and tap to activate from Homescapes, remove a few minor frustrations and voila! You have a royal match.

The power ups are generous and clear the board more compared to the fluid switches from Pleix and King. High dynamics and simultaneous matches result in fast-paced gameplay; It is one of the fastest live switches. Well-designed levels that end in «close wins» increase the value of buying out of transition. Special pieces are forced to be used if other moves are not available. There’s nothing new about Royale Match – most switches build on each other – but the implementation creates a better player experience than its rivals.

The Meta is a combination of social and decorative-lite, which, like its Switch, contains a combination inspired by Tone Blast and Coin Master. Its live operations are still in its infancy, but I expect more events to pop up soon. Royal Match launched in Canada, Turkey and the United Kingdom in July 2020. Initial revenue on download data shows that it is outperforming other Classic Match-3 titles and is as strong as full Puzzle & Decorate games, suggesting that players like the direction. The right modifications, as seen here, can create a beautiful design and perform a new game.

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But before we get into the game design, let’s look at the market and history of mobile puzzle games. This will give you, our dear readers, a better understanding of the game’s potential.

The puzzle, of all genres and mobile devices, is greatest when looking at IAPs alone. He earned $5.1 billion in 2020, up 29 percent from 2019. Overall, casual games, puzzle games accounted for just over 50% of all revenue for 2020.

With net IAP revenue of $3.7 billion (excluding Japan, Korea and China), match-3 games are the largest mobile subgenre in the West.

The biggest growth in 2020 came from match-3 games like Tile Blast, Puzzle & Decorate and classic match-3 games. Playrix is ​​the strongest puzzle developer by revenue, taking in about 35 percent of revenue, followed by Kings at just under 29 percent and Zynga at 15 percent.

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Despite the many red ocean/blue ocean offerings, the more revenue puzzles generate, the more developers want more puzzle games, increasing the competition for play time and, in the case of switches.

For a more in-depth analysis of the market, please read Predictions 2021: Puzzle Games to Be the Top-Grossing Genre on Mobile)

While King, Playx, and Zynga (after the Peak acquisition) own most of the revenue, it is distributed in many ways across many games. While the top games are set for Puzzle & Decorate in 2020 (Homescapes, Gardenscapes and Fishdom are the Top 3), Classic Match-3 has seen more movement, with Harry Potter: Puzzle & Spells entering position 3 at the end of 2020. . This is not an easy task and it suggests that classic match-3 has more chances to break the top than puzzle and decorate. This could also be a reason why Dream used a powerful switch and changed the full meta decoration to a simple version.

Although Candy Crush Saga was a huge success with Match 3 Switch, King Mechanic wasn’t the first company to make it. To show the evolution of the switch, we jogged down memory lane and created a timeline of the various popular mechanics used in today’s switches. The architect of the Switch actually goes to Eugene Almzin, who created a game called Sharky in 1988. PopCap, inspired by the partnership, released Bejeweled (née Diamond Mine) in 2001. There are 5 games in this series, which we understand. This is the basis of a «good» switch today:

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Bejeweled 2, Twist, and 3 have puzzle/challenge/quest modes that replace the alternate objectives and rules we’re more familiar with. Bejeweled 3’s Quest mode is of particular interest, as it introduced modes that influenced the obstacles we know and love today:

While PopCap and the creators of the Bejeweled series pioneered the Switch, Candy Crush Saga (King 2012) filled in some gaps to add longevity to the design and enhance the overall player experience: power-ups and different board sizes. Previously, combining 2 power-ups without a ring collector gave no more than the cost of the two power-ups. Now players can clear and collect even larger areas with strategic combinations of special pieces. It increases the motivation to make these pieces. While Bejeweled 2’s puzzle mode experimented with «puzzle dimensions», it was done in a way that kept the full table but limited the number of pieces in play. Candy Crush Saga fully experience board size and interaction. The plates came in different shapes and sizes and in some cases were divided into separate sections. These types of changes make designers flexible and expand their design set, allowing them to create more interesting (and fun) levels.

Additionally, what was previously seen as a single game mode has now become an obstacle in its own right. Each of these «new» obstacles can be used and/or combined in ways to create levels – a critical part of making a puzzle game feel fun. Most players don’t want to play the same level multiple times in a row. If a game developer has 10 unique obstacles, assuming all the obstacles mix well and each level uses 2 different obstacles, then you will instantly have 45 unique experiences. A well-designed obstacle can also play differently depending on where it is on the level. Now consider the size of the board, the occurrence rate (of chunks), and the randomness of the switch. This creates a multitude of different challenges without requiring the same development effort. (Although this requires smart level designers to use combinators and a well-designed level creation tool.)

Candy Crush Soda Saga, released in 2014 after 2 years of CCS, introduced new obstacles, modes and tiles: square matches to make fish, change the direction of gravity and multiple tiles. Although not all of these features are used in the best switches today, the game’s success has proven that variety and risk-taking pay off.

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King held the top spot for puzzles until 2016, when Playrix’s Gardenscapes introduced tapping, creating a game changer for the genre. Unlike the Candy franchises, Gardenscapes’ power-ups were no longer color-bound and could be activated on any level. This is a change that gives users even more agency in the game. The game also experienced the elimination of indirect ring collector triggers (as was also done in the Bejeweled series) as well as line bursts. Garden maps focused mainly on square burials, eliminating the measurement of size effects. The rarer the power-up, the bigger the blast radius. After the release of Gardenscapes, Playrix released Homescapes, which followed Soda’s switch recipe more closely, while activating from a tap.

Whether the founders of Dream worked exclusively on Lost Jewels during their time at the top, their flawless execution of the Royal Match Switch makes me believe they benefited from some learnings.

The most powerful match-3 core has a great look and feel. The performance of the art directly affects the success of the design. Bright, saturated pieces that are different in color and shape are good because players can quickly scan the board (see below for a comparison of different switches). Games that fail to differentiate between pieces make levels difficult: it’s harder and slower to find moves and see shapes that create power-ups.